review: This thing called the future

Way back in November, I had the pleasure of meeting J. L. Powers. We talked for a while and she made sure to give me a signed copy of her (then) newly released book, This thing called the future. I wanted to read it; I really did! But, life got in the way as it often does and it took me months to pick it up. There may have been a moment when she wondered if I was ever going to review her book, but given the facts that

I doubt she ever gave me a second thought.

There’s something about that freedom to move on, to explore options that she and I both have that her characters in This thing called the future ddn’t. I don’t know if we often realize how immensely blessed we are.


ALA Best Fiction for Young Adults, 20122011 Social Justice in Children’s/YA Reading ListKirkus Best Teen Books 2011

title: This thing called the future

author: J. L. Powers

date: Cinco Puntos Press; 2011

main character: Khosi Zulu

“The tongue of an angry woman brings nothing but evil,” Gogo says.

Well beyond the midpoint of reading This thing called the future, I wondered where the hope was. After all, hope is a hallmark of YA lit and I supposed it would be in this well regarded book. When the title line appeared in the narrative, I realized it was there all the time. I realized that things, people situations can take our hope and outsiders can often judge actions, or inaction as nothing short of ignorance. Well, unless that outsider herself has some sort of gift.

Khosi presents as a young girl who is just afraid of everything. Her gogo (grandmother) fills her with so much superstition that she can’t help but be afraid of most things in the natural world. The men who used to protect all parts of society, now prey upon young girls making it impossible for them to even walk to the store. We meet Khosi and her family as they are going to yet another funeral, another death from the disease of the day. Khosi is stopped by a witch who threatens Khosi by saying that she will get her one day. No sooner does she leave this scene is the young girl plagued by an old man in the village who attacks her every time he sees her. And then, there is the neighbor lady who seems like a madwoman yelling and screaming outside Khosi’s home about something she says Khosi’s mother has done. These events feel almost benign and you wonder why they persist; why can’t someone just stop these little things from happening. It’s not a lack of knowledge, rather a lack of power from which oppressed people all over the world suffer when members of another group continue to dominate.

The oppression in South Africa goes way back, but Khosi’s family tells of it in most recent times when black South Africans fought themselves as well as their white oppressors in the townships. For economic reasons, families were divided and even though apartheid ended, families still found no way to afford to live in one home thus creating conditions ripe for the spread of AIDS.

I wondered where the hope was in the book because Khosi had expressed no dreams. OK, she was beginning to like this boy, Little Man, and dreamed of being with him, but she was so beat down by situations around her that there was no room for big dreams! Conflicts abounded as Khosi’s mother (the only person on the novel with a western name) resented traditional practices and things of the past while her mother and daughter did not. Through Khosi, the spirits of the ancestors fought with witches.

Powers’ telling of Khosi’s life fully incorporates traditional practices in ways that pretty much require readers to suspend belief and realize there may be more in our world than we realize. In doing so, she doesn’t force any particular belief system on us, doesn’t ask us to condemn forces that create oppression but she does make us aware not only in these powers around us, but in the powers of anger, love and community that are within each of us.

Setting, plot character? Powers was in that sweet spot. Bits of the Zulu language are infused in the text as well as myths and daily practices that transport us to South Africa. She didn’t paint the story of natives in huts, rather she let us know these people have cell phones, televisions and can party right along with the rest of us!

I liked Khosi, wanted her to toughen up and I loved her gogo, wanted to relieve all her aches and pains! Little Man may have been a bit too perfect, but Khosi needed that little bit of perfection, a touchstone, if you will.  I’d like to chat with you about how incredibly well she wrote Elizabeth, but I’d ruin the story so, just go get the book, read it and then get back with me.

This is a story of hope because Khosi does indeed have this thing called the future. We soft living Americans may think there is little hope without paved streets, department stores and fast food chains. But, Khosi had options and in my world, a girl just needs to have options. That’s what the future should be all about!

I think lost hope, history, oppression are things that students reading This thing called the future ought to consider. Pull them into this story with Sarafina and asked what happened, what changed in South African from the time of the Soweto Riots when Khosi’s parents were teens to 2011 when Khosi was a teen. What would they predict for Khosi’s teenage daughter?

 

 

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Self Indulgent Saturday

Moments ago, I started an email to my daughter and the more I wrote, the more I decided I wanted to share it with all my ‘daughters’. Heck, and sons, sisters, brothers: whoever might chance upon it on … my … blog! Call it self-indulgent, but like so many say, ‘well, it is my blog!’

Hey Chikky!

I recently had a revelation that I started to share with you, but didn’t give you the entire thing. today’s ur lucky day because today, I’m going to finish that thought because I loves u!!!

ok…

you know how people always say ‘practice, practice, practice’? well, I don’t know if you know that I took piano lessons for 8 years when I was young (you may not know because I cannot play!) but I pretty much understood that you had to practice to improve your skill at something, that the more you did it, the better you got at it. Well, that’s only partially true.

I was listening to this guy on NPR not too long ago. he was a pitcher in the major leagues and something happened; he lost his mojo. He said he would work with different coaches who would have him think through the mechanics of throwing the ball, and this was really the worst thing they could have done to him. The more he focused, the less able he was to find that sweet, thoughtless momentum he previously excelled at when he just threw the ball.

I pictured Michael Jordan shooting free throws and Michael Phelps stroking away in a pool.

I began to think about writers and they always give the same advice: write every day. Just keep writing. Now, if you have the wrong mindset (like I did) you’re not only tired of this seemingly trite advice, but you’re expecting that the more you write, the better you get at the mechanics. But from the baseball player, I realized that the more you write, the easier it is to find that’ sweet spot’.

Then, I pictured Amy Tan and Toni Morrison, pen in hand surrounded by mounds of paper, some fresh and unused while even more was balled and crumpled. And I realized, there’s a ‘sweet spot’ in anything we want to do well, whether it be in sports, arts, engineering, teaching, computing or styling hair.

You know when you’re putting a film together and you’ve lost all sense of time? Left alone, things seem to come together magically but, if someone interrupts you, you have to collect yourself and realize where you are? You’ve perfected the mechanics as you know them and you’re completely lost in that productively, creative moment; in that sweet spot.

That’s why I told you to go out every day with your camera. Perfect your skills and find your sweet spot, your mojo; the surreal feeling of doing the right thing in the right way that only you can do.

you did it when you wrote this:

I want a reader. Knowing I am understood by someone and completely transparent without ever having to say a word is what I want. I want to be chosen. Instead of a night out with friends or watching television I want someone to sit with me by the fire and relax with a glass of wine. Better yet, I want to be the last thing someone takes in at night. Things might be formal at first while they get introduced to my story so perhaps they might start the evening sitting up against their headboard. As the night goes on and they get more comfortable with me. I want to be under the covers while my pages are turned in the heat and desire of wanting to know what comes next. 

I want a reader who loves me so much they take me in their purse, briefcase, bag, maybe just in hand, to work and boring meetings and even on vacations. I want to ride the subway with them and go the doctor’s office. I want the feeling that they care about me so much they do not want to fold my pages to keep their place in my story so they go out and find a special bookmark. I want to be such an inspiration and delight to their life that they cannot wait to share my existence with friends and family. My reader will protect me from rain and spilt milk, they will keep me from fire, children and dogs, I’ll have nothing to worry about. Whenever they read something funny I want to feel the tickle from their small chuckle on my pages. In sad chapters I want to feel my reader hold onto my ends a little firmer than usual while they reassure me they’re with me through the pain. When I get airy or start to run on I want Reader to love me so much they will still have the desire to read every single word. Every story must end but I want to be a never-ending story to my reader. I want my pages to turn forever in their hands.

 

YALSA Midwinter Paper Presentation

The YALSA Midwinter Paper Presentation is an annual event sponsored by past presidents of YALSA.  Its purpose is to provide a venue for educators, librarians, students, and others interested in young adult librarianship to gather and explore a topic of current interest that impacts the field. The YALSA Midwinter Paper Committee will select one paper to be  delivered at the 2013 ALA Midwinter Meeting in Seattle, WA, January 25-29, 2013.  The presenter will receive up to $1,500 to defray travel and registration costs.  The paper will be published in YALSA’s peer-reviewed Journal of Research on Libraries and Young Adults after the conference. For more information about the journal, visit
http://yalsa.ala.org/jrlya
.

The YALSA Midwinter Paper Presentation Committee is now seeking proposals for papers presenting points of view based on current research and relating to topics covered in YALSA’s Research Agenda.  The agenda includes four priority
areas:

Priority Area 1: Impact of Libraries on Young Adults
Priority Area 2: Young Adult Reading and Resources
Priority Area 3: Information Seeking Behaviors and Needs of Young Adults
Priority Area 4: Informal and Formal Learning Environments and Young Adults

The full research agenda can be found at:

http://www.ala.org/yalsa/guidelines/research/researchagenda
.

The application form is located at:

http://www.ala.org/yalsa/awardsandgrants/mwpaper
.  Important details include:

* Paper proposals are due no later than June 1, 2012.
* Only previously unpublished papers will be accepted.
* Proposals must be emailed as an MS Word document attachment. The attachment must be saved with the file name of <lastname_pastpresidentlecture.doc>.  For example, smith_pastpresidentlecture.doc.
* All submissions must be emailed to yalsa@ala.org, with the subject line “Past President Lecture.”
* The winner will be selected and all applicants will be notified by August 31, 2012.
* All paper presenters must register for the Midwinter Meeting by December 1, 2012.
* For questions, email Dr. Denise E. Agosto, Midwinter Paper Presentation Committee chair, at dea22@drexel.edu.

Any individual from within or without of the library community is welcome to submit an application. Membership in ALA/YALSA is not required.